"This song was birthed out of a session where I was reminiscing on some party nights out where I'd be in a Rolls Royce that wasn't rented. We were supposed to have Tate fly in, but we ended up shooting in our living rooms." "ROLLS ROYCE" The video is also something I'll hold close to my heart, as it was shot at the start of quarantine during the peak of lockdown. And who other than Tate? She's so animated and full of personality, everything this song is. "In Tate's words: 'Omg! It's like Brandy and Monica, but rap.' And in mine: 'Yes, exactly.' I originally wrote two verses whilst on a trip in Sweden-one in a super British accent, one in a super American accent one character called Keisha and one called Lisa-but I sat on the song for a second and realised it would be better to actually have another girl on it. ![]() I hope I have that same kind of impact in the years to come." "DAMN DANIEL" f/ Yung Baby Tate I was shook! She just means so much to me her work is still as iconic as it was when I was a kid, and that’s timeless-that's that icon shit. I kept saying, 'OMG! Missy thee legend, the icon! I almost dropped my laptop. When I got her verse back, tears were literally streaming down my face. With fingers crossed, we sent it over to her hoping she'd like it and she did. It was late, so in my head it had to be an emergency and you damn right it was! He said, 'Missy Elliott wants to do a record with you.' I was like, 'With WHO?' 'ATM' was always one of those songs that felt incomplete to me, but the lightbulb moment hit us and Missy was definitely the missing piece of the puzzle. So I thought, 'It's time to hit the sheets.' I was just about to close my eyes and my A&R called. ![]() I was literally glued to my phone basking in all the love till my eyes literally couldn't handle anymore. So I had just released 'GUCCI', and it was causing a frenzy online. He got stuck right in, and I heard that aggressive, distorted guitar and was taken aback! I was like, 'Yesss! This is what I want to be screaming: All you do is li-li-lie, li-li-lie lie on." "ATM" f/ Missy Elliott ![]() Press play on something SCARY and exciting.' I had a very big middle finger I wanted to throw up to a certain guy, and I needed the production to reflect that, and no word of a lie, he didn't even take his coat off. I don't want to hear NO regular pop chords, seriously. I said to Easy Fun, 'I need you to give me the most un-PC music shit right now. "I remember walking into the studio-it was a session with Easy Fun and Cleo. I wanted the video to be a visual representation of what going 'APESHIT' looks like viewers are met with fast-paced shots and me going nuts! I said, 'Fuck looking pretty or posing. I want this video to be nuts and crazy, because that's really what I am.'" "LITTLE NOKIA" The room was as hype as the outcome of the song, and of course it was important to mirror that energy in the video. Typical of me to be jumping around and freestyling whilst my friends mess around on Ableton, but there was something about the 'APESHIT' chords that just stuck! I looked at the producer, Moon Willis, and said: 'Hold on! We have something here.' The chorus melody came about almost instantly, and it was super easy to wrap this. Take it in below and cop or stream the full album on iTunes or Spotify now. In just the last year, we've had chrome-covered funk ("GUCCI"), rap and R&B bombast ("APESHIT") and caustic mosh-pit anthems ("LITTLE NOKIA"), the latter of which was given a Rico Nasty-assisted remix. One thing we're sure of is that Bree was sent to us from space and there'll never be another quite like her.Ĭomplex caught up with Bree Runway to break down every track on the 2000AND4EVA tape, explaining more about some of the themes and how they play into each track. The influence of early 2000s MTV excess is an obvious one, but mixed in with that are proud celebrations of her Ghanaian heritage, distorted punk noise, and a swagger that could only have come from her East London stomping ground. But she's so much more than the "new Missy", and we're sure she'd dismiss such a description (as well as comparisons to Kelis and Grace Jones). Her hyper-futuristic aesthetic, disregard for genre boundaries and galactic-sized personality are all working together to realise Missy's vision. ![]() Seemingly capable of making things happen by speaking them into existence, in March, she tweeted hip-hop superstar Missy Elliott asking her jump on a remix to one of her songs, and just six months later, Missy is one of the featured artists on Bree's new mixtape, 2000AND4EVA.įor a lot of her fans, Bree Runway is Missy's natural successor. For Hackney's Bree Runway, the past couple of years have been the most dramatic example of the "how it started vs.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |